2023, 2022 UK, 2021, 2019, 2018 India, 2018, 2017 Chamber 8, 2017, 2016, 2016 Singapore, 2015, 2015 India, 2015 Chamber – Geelong, VIC, 2013, 2011
“The AWO will produce a performance level parallel to the best orchestras worldwide. It will be a unique inspiration for performers and listeners alike. I look forward to being part of such an enriching musical experience, with the potential of achieving previously undreamt cultural milestones at home and abroad.”

Lyndon Watts


Freelance; Professor of Bassoon – Melbourne Conservatorium of Music, University of Melbourne; Former Principal Bassoon – Munich Philharmonic Orchestra; Former Professor of Bassoon – Berne University of the Arts

Australian Hometown(s): Sydney & Melbourne
Education: University of Music and Performing Arts, Munich

Lyndon Watts became principal bassoonist of the Munich Philharmonic Orchestra at the age of 22. After 18 years in this position Lyndon chose to move back to his home country Australia to accept the position of lecturer in music (bassoon) at the Melbourne Conservatorium of Music (MCM). Since 2019 he has been Convenor of the annual MCM Concerto-Aria Competition, and since 2020 Convenor of the MCM Early Music Studio. He is a founding member of the Australian World Orchestra and has performed as a soloist or guest principal with numerous European and Australian ensembles on both modern and period instruments. In 2002 he became the first Australian woodwind player to win a prize in the prestigious ARD International Music Competition, in combination with a special prize for the best interpretation of a newly commissioned solo work by Heinz Holliger, who has described Lyndon’s playing as possessing “an ideal balance between utmost precision and wild spontaneity.” From 2005 to 2015 he was professor of bassoon in Switzerland at the Berne University of the Arts, where he also taught chamber music and contemporary music. Lyndon has premiered many compositions for bassoon by composers from his hometowns Munich and Melbourne. Most recently these included Elliott Gyger’s Elude for solo bassoon, two new works for bassoon and percussion by Miriama Young and Linda Verrier, Elizabeth Younan’s wind quintet Kismet, and the first performance of the bassoon and piano version of a new bassoon concerto by Matt Laing. Lyndon loves living close to the Australian bush and surf, and enjoys keeping fit with his partner and their son.


Last updated 2023