Warwick Adeney

Australian Hometown: Brisbane
Education: Queensland Conservatorium

PROFESSIONAL BIOGRAPHY
Warwick Adeney was born into a large family of violinists and trained at Queensland Conservatorium alongside three of his siblings. There he learnt with Dr Anthony Doheny, was a member of the Ambrosian Quartet, and emerged as the Gold Medal graduate of 1984.

He joined Queensland Theatre Orchestra under Georg Tintner, and rose to the concertmastership in 1989. During the years of Anthony Camden’s musical oversight, Warwick Adeney played many solos, including the memorable Lark Ascending with Sir Neville Marriner, and directed many concerts.

In 2001, the amalgamation of orchestras in Queensland occurred and Warwick Adeney served (initially as co-concertmaster with Alan Smith) under conductor Michael Christie and then Johannes Fritzsch, and now exults in the glorious reign of Alondra de la Parra. Over the years Warwick Adeney has continued to enjoy the privileged and challenging life of the orchestra, and become something of a specialist in ballet solos and the Four Seasons along the way.

Married to Michele, a fellow musician, Warwick Adeney is blessed with nine children, all of whom learn a variety of instruments, and the family attends a weekly traditional Latin mass.

The violin Warwick plays is a Venetian instrument from the early 18th century, possibly by Carlo Antonio Testore.

Last updated 2018

Jonathan Allen

Australian Hometown: Canberra
Education: Canberra School of Music

PROFESSIONAL BIOGRAPHY
The Australian violinist Jonathan Allen first studied at the Canberra School of Music with Vincent Edwards and Josette Esquidin before moving to Hobart to further his studies with Jan Sedivka.  His reputation quickly grew with public performances and broadcasts of concertos by Prokofieff, Tchaikovsky, Haydn, Samuel Barber and Vaughan Williams. However, it was his talent and vital interest in chamber music that led to the appointment as leader of the Petra String Quartet (Quartet in Residence at the University of Tasmania). The Quartet‘s enthusiasm for commissioning and premiering new works resulted in the CD recordings of twelve Australian quartets.

In 1987 Jonathan Allen was awarded an International Study Grant that led him through Canada to Europe attending master classes and studying with prominent musicians such as Zoltan Szekely, Lorand Fenyves, Max Rostal and Sandor Vegh.

After a short term in the London Symphony Orchestra he moved to the musically inspiring city of Vienna. Using Vienna as his base and working with the Vienna Chamber Orchestra, he also toured extensively as concertmaster of the Konzert Ensemble Salzburg, Neue Wiener Solisten and Klangforum Wien.

An invitation in 1989 as guest assistant concertmaster of the Australian Chamber Orchestra led to extensive tours of Australia, South America and Europe.

Alongside commitments as a member of Philharmonia Zürich – das Orchester des Opernhauses Zürich since 1991, Jonathan Allen has appeared as Concertmaster with the Zürich Chamber Orchestra, Tasmanian Symphony Orchestra, Malaysian Philharmonic Orchestra, Auckland Philharmonia, Melbourne Symphony Orchestra, Orchestra Victoria and the 21st Century Orchestra. During 2006 – 2007 he was acting 2nd Concertmaster at the Zurich Opera House, Philharmonia Zurich. Jonathan Allen regularly performed with Ensemble Zero and is the founding member of Ensemble/Piano Trio Il Trittico, in which the latter received outstanding critiques in the “Strad” and “Musik und Theater” for their premier recordings of the complete Joachim Raff Piano Trios, www.trittico.ch. In 2011 the prominant CD label Divox released the world premier recording of Joachim Raff’s two Piano Quartets which were nominated for the renowned Echo Prize. Jonathan Allen has for many years taken an interest in discovering undeservingly neglected chamber music works and dedicated himself to making public forgotten masterpieces. His performing schedule has included live broadcasts for Radio and TV, chamber music concerts in various Festivals  (America, Canada and Europe) and CD recordings (Divox, Arte Nova – Sony BMG, Gallo, ABC classics and ProViva). Directly inspired from the years of working with N. Harnoncourt and William Christie, (predominantly in the ensemble “la Scintilla”) Jonathan has enriched his musical spheres not only with early music performing with the historical instrumental practise but has also branched out to include jazz concerts in his musical adventures. Jonathan continues to reside in Zurich as a member of Philharmonia Zurich.

Last updated 2019

Robert Ashworth

Australian Hometown: Sydney
Education: Universitaet Mozarteum, Austria; University of British Columbia, Canada

PROFESSIONAL BIOGRAPHY
Robert Ashworth is having a great time being Principal viola for the Auckland Philharmonia Orches­tra.  He arrived from Canada to New Zealand shores in 2003 for a one-year adventure, he found a connection with the country through its music, people and country-side, his animals and family.

He has been guest-​principal viola for the Melbourne Symphony Orchestra, the New Zealand Symphony Orchestra and the Australian Opera and Ballet Orchestra, as well as assistant-principal for the Calgary Philharmonic Orches­tra. He is violist with the Jade String Quartet in Auckland, and also plays with the Australian World Orchestra.

Robert is a twice recipient of the Canada Council for the Arts Award for Emerging Artists and has performed with various groups at international chamber music festivals in Europe, North America, and Japan. He has had the honour of studying with violists Thomas Riebl and Veronika Hagen at the Universitaet Mozarteum in Salzburg, Austria and with Gerald Stanick at the University of British Columbia in Vancouver, Canada.

Last updated 2019

Dale Barltrop

Australian Hometown(s): Brisbane & Melbourne
Education: University of Maryland; Cleveland Institute of Music

PROFESSIONAL BIOGRAPHY
Brisbane-born violinist, Dale Barltrop, is Concertmaster of the Melbourne Symphony Orchestra and First Violinist of the Australian String Quartet. He previously served as Concertmaster of the Vancouver Symphony Orchestra in Canada and Principal Second Violin of the St Paul Chamber Orchestra in the United States, having performed with all of these orchestras as soloist and director.

Barltrop has also appeared as Concertmaster of the Australian World Orchestra under Sir Simon Rattle, guest director of the Australian Chamber Orchestra, ACO2 and the Camerata of St John’s chamber orchestra in Brisbane. He has performed at numerous music festivals across North America, including Mainly Mozart, Festival Mozaic, Music in the Vineyards, Yellow Barn, Kneisel Hall, Tanglewood and the New York String Seminar.

Barltrop began his violin studies in Brisbane through the Queensland Instrumental Music Program, made his solo debut with the Queensland Symphony Orchestra at the age of 15 and was Concertmaster of both the Queensland and Australian Youth Orchestras. He moved to the United States in 1998 to attend the University of Maryland and continued his studies at the Cleveland Institute of Music. His teachers have included William Preucil, Gerald Fischbach, the members of the Guarneri Quartet, Elizabeth Morgan and Marcia Cox.

A passionate educator, Barltrop has served on the faculties of the Vancouver Symphony Orchestra School of Music and the Vancouver Academy of Music. He has also taught at the University of British Columbia, National Orchestral Institute in Maryland, Australian National Academy of Music and Australian Youth Orchestra.

Barltrop performs on a violin crafted by JB Guadagnini, Turin, 1784. It is on loan from the Ukaria Cultural Centre and was purchased through the generosity of Allan J Myers AO, Maria J Myers AO and the Klein Family.

Last updated 2018

Lucas Barr

Australian Hometown: Melbourne
Education: Victorian College for the Arts

PROFESSIONAL BIOGRAPHY
Lucas grew up in Melbourne where he could be found busking on the streets of Box Hill at the age of just 15. While studying at the Victorian College for the Arts, Lucas was invited to study in Austria where his teacher and mentor Brian Finlayson was appointed. With the help of a music loving Melbourne arts patron Lucas moved to Klagenfurt in southern Austria at 16 years of age.

Barr moved to Cologne two years later to continue his studies where he met his future wife Suzanne, a clarinettist. During this time Lucas played, toured and recorded with the Cologne Chamber Orchestra as well as playing as a soloist with various string quartets.

Lucas played with the prestigious Bayreuth Festival Orchestra and has played in almost all Australian World Orchestra concert seasons, including tours to India and Singapore. He currently holds a position with WDR Symphony Orchestra in Germany.

Last updated 2018

Jonathan Békés

Australian Hometown(s): Sydney & Hobart
Education: Sydney Conservatorium of Music, Australian National Academy of Music

PROFESSIONAL BIOGRAPHY
Jonathan started playing cello at 10 years old. He has studied at the Sydney Conservatorium of Music and the Australian National Academy of Music and has learnt with from such cellists as Howard Penny, Julian Smiles and Susan Blake. He has won numerous awards for his performance including the ANAM Director’s Prize, and First Prize in the ANAM Chamber Competition. He is recipient of the 2016 Accenture Australia Scholarship, the Sydney Conservatorium’s Corinna d’Hage String Scholarship, and has attained his AMus and LMus, both with distinction.

Jonathan is in great demand as a performer, chamber musician and educator across Australia and has taken his cello across the world, having performed across four different continents. He is member of the Tasmanian Symphony Orchestra, a founding member of the award winning Clarendon Trio and plays regularly with the Australian World Orchestra, Melbourne Symphony Orchestra, and Sydney Symphony Orchestra. Jonathan has performed chamber music alongside such artists as Anthony Marwood, Stephan Dohr, Ole Bøhn, and Timothy Young and has performed in masterclasses for Steven Isserlis, Pieter Wispelwey, Nicholas Aldstaedt and Alban Gerhadt.

Jonathan has appeared as soloist with numerous orchestras around Australia including the Hobart Chamber Orchestra, Sydney Youth Orchestra and the Beecroft Orchestra. In 2011 he played for a full house at the Sydney Opera House Concert Hall as part of the HSC ENCORE program.

In his spare time, Jonathan is a passionate Sydney Swans supporter and a committed Hobart Hurricanes enthusiast. He is a keen squash player, an avid golfer and loves to get outside to go hiking and mountain biking.

Last updated 2018

David Berlin

Australian Hometown(s): Sydney & Melbourne
Education: Sydney Conservatorium of Music; Julliard School of Music, New York

PROFESSIONAL BIOGRAPHY
David Berlin studied the cello with Lois Simpson at the Sydney Conservatorium and the Juilliard School of Music in New York, with Channing Robbins. For over 25 years David has been at the forefront of music performance here in Australia, as Principal Cello of both the Adelaide Symphony Orchestra from 1985 through to 1988 and the Melbourne Symphony Orchestra from 1989.

David has also made numerous appearances as soloist with these and other Australian Orchestras and was invited to play guest Principal Cello with the Sydney and Tasmanian Symphony Orchestras, Australian Chamber Orchestra and the Australian World Orchestra.

In 1992, David gave the world premiere performance of the complete works of Cello and Piano by Franz Liszt with Leslie Howard, in London. He has also performed chamber music with violinists Kolja Blacher, James Ehnes, Nigel Kennedy, and Sarah Chang and pianists Garrick Ohlsson, Emanuel Ax and Yefim Bronfman, as well as tenor Ian Bostridge.

Along with solo recordings for ABC radio, David has appeared as soloist on the Tall Poppies, Chandos and Naxos labels. His recital disc Barber & Debussy with pianist Len Vorster on the Tall Poppies label was nominated by James McCarthy as one of the best classical CD’s of 2011 in Limelight magazine. In June 2017 David played in the New York Philharmonic Global Orchestra for Alan Gilbert’s final concerts as Music Director.

Last updated 2018

Zoe Black

Australian Hometown: Melbourne
Education: Victorian College of the Arts Secondary School; Guildhall School of Music & Drama, London; Vienna Hochschule

PROFESSIONAL BIOGRAPHY
Zoë Black is a violinist’s violinist, known for her beauty of sound and natural virtuosity. In 1989 she won the National Youth Concerto Competition and in 1991, the string section of the ABC Young Performers Awards.

After graduating from the Victorian College of the Arts in 1992, Zoë was awarded grants from the Australia Council and Queen Elizabeth Silver Jubilee Trust as well as the major performance award of the Australian Music Foundation in London, which facilitated her studies at the Guildhall School of Music under David Takeno and subsequently at the Vienna Hochschule with Michael Schnitzler.

Zoë was appointed assistant leader of the Australian Chamber Orchestra in 1993, touring the world extensively. A committed chamber musician, in 2005 Zoë co-founded the Freshwater Trio with whom she toured nationally and internationally. She has also performed as soloist with various chamber and symphony orchestras and is a regular guest concertmaster with MSO and QSO.

Zoë returned to the ACO in 2012 in a part time capacity, where she regularly led the ACO Collective, performed as soloist and was an integral component of their educational program. More recently, Zoë was a guest leader of the Australian String Quartet in 2016, performing at Festivals in Victoria, Western Australia and in Italy (Rome, Venice and Cremona).

In 2011 Zoë co-founded the innovative duo with pianist/composer Joe Chindamo. The duo has performed at all the major festivals in Australia and recorded three ARIA nominated CDs, (ReimaginingsDido’s Lament and their re-versioning of The Goldberg Variations, premiering the latter at Carnegie Hall in 2015). The duo made their debut Italian performance at the Spinacorona Festival in Naples, at the invitation of renowned pianist Michele Campanella in 2018, and are invited to perform the aforementioned Goldberg Variations at the Bach Festival in Leipzig in 2020. A passionate teacher and tutor, Zoë has taught and tutored at Melbourne University, VCA, VCASS and Monash University.

Last updated 2020

Margaret Blades

Australian Hometown(s): Adelaide & Perth
Education: Elder Conservatorium of Music, Adelaide; University of Tasmania

PROFESSIONAL BIOGRAPHY
Margaret Blades is forging a career as a teacher and chamber musician after having spent many years as a Leader and violinist of various orchestras, including the West Australian Symphony Orchestra (WASO), Adelaide Symphony Orchestra, the Australian Chamber Orchestra (ACO), Sydney Symphony, Melbourne Symphony, and others.

As a soloist, she has appeared with the Adelaide Symphony, Tasmanian Symphony, Adelaide Chamber Orchestra and WASO, where her solo performances have included an appearance with superstar Nigel Kennedy in Vivaldi’s Double Violin Concerto, and the premiere of works by Richard Mills ,Ross Edwards and James Ledger. She has also performed as soloist in New Zealand and the USA, where she performed the Mozart Sinfonia Concertante with Emerson String Quartet violist, Lawrence Dutton.

She has performed on stage with some of Australia’s finest artists, including Michael Goldschlager, Geoffrey Tozer, Geoffrey Lancaster, Beryl Sedivka and others, both as a recitalist and chamber musician, for Musica Viva, Adelaide International Festival of Arts, Blackwood River Chamber Music Festival, Barossa Music Festival, and in numerous broadcasts for ABC Classic FM.

Last updated 2018

Kees Boersma

Australian Hometown: Sydney
Education: Victorian College of the Arts, Sweelinck Conservatorium, Amsterdam

PROFESSIONAL BIOGRAPHY
Kees Boersma has held the position of Principal Double Bass with the Sydney Symphony Orchestra since 1990.  He has performed with Australian World Orchestra since its formation in 2011.

In recognition of his solo talents, the SSO has commissioned new works from leading Australian composers featuring Kees as soloist. His 2013 performance of Mary Finsterer’s “Lake Ice Concerto for Double Bass and Orchestra was a finalist in the prestigious APRA Awards for ‘Best Performance of a New Australian Work’. He has been similarly recognized with the commission and performances of the Concerto for Double bass and Orchestra ‘Young Tree Green’ by Colin Bright.

In 2012, Kees was invited to be the founding Artistic Director of the SSO ‘Vanguard’ – curating a concert series in innovative and contemporary venues, seeking to encourage young philanthropists to engage and invest in their orchestra. He is currently the President of the SSO Musician’s Association.

The Australian World Orchestra commissioned Elena Kats Chernin to compose The Witching Hour, the first concerto for eight double basses in orchestral history on the occasion of the AWO’s Fifth Anniversary. Kats-Chernin composed The Witching Hour especially to showcase the extraordinary AWO double bass section comprising Max McBride (formerly ACO, Vienna State Opera, Senior Lecturer ANU School of Music), Kirsty McCahon (formerly Australian Brandenburg Orchestra, Orchestra of The Age of Enlightenment), Matthew McDonald (Berlin Philharmonic Orchestra), Ciro Vigilante (Vienna Chamber Orchestra), Robert Nairn (Professor of Double Bass Juilliard School and Penn State University), Kees Boersma (Principal, Sydney Symphony Orchestra), Tim Dunin (Professor of Double Bass, University of Music, Graz; formerly Vienna Philharmonic) and Alex Henery (Principal, Sydney Symphony Orchestra, formerly Philharmonia London).

A great lover of chamber music, Kees Boersma s a regular artist at Musica Viva’s Chamber Music Festivals and the Australian Festival of Chamber Music.

Kees was a founding member of the Australia’s pre-eminent contemporary music group ELISION, premiering, touring and recording the works of Franco Donatoni, Richard Barrett, Liza Lim and Brian Ferneyhough. . 

After studies at the Victorian College of the Arts, Kees travelled to his birthplace in the Netherlands to undertake post-graduate studies at the Sweelinck Conservatorium in Amsterdam. He consequently performed for several seasons with the Royal Concertgebouw Orchestra Amsterdam under conductors such as Haitink, Dorati, Harnoncourt, Chailly and Giulini.

On his return to Australia, Kees performed as Principal Bass with the State Orchestra of Victoria and the Australian Chamber Orchestra before joining the Sydney Symphony Orchestra.

Kees is a Lecturer of Double Bass at the Sydney Conservatorium of Music and enjoys being a regular tutor with the Australian Youth Orchestra and Sydney Youth Orchestra.

He is a regular Guest Principal Bass of the Hong Kong Philharmonic Orchestra, the West Australian Symphony Orchestra and the New Zealand Symphony Orchestra.

As a result of his enthusiasm to explore historically informed performance practice, Kees has enjoyed recent opportunities to play with the Orchestra of the Age of Enlightenment (London), the Australian Brandenburg Orchestra and Pinchgut Opera.

In collaboration with his vivacious life partner Kirsty McCahon, his ‘Bass Extravaganza’ concerts as part of the ‘Resonate’ series at the National Art Gallery of NSW explore new ways of presenting music for their beloved basses!

Last updated 2018