Philip Arkinstall

Australian Hometown(s): Sydney & Melbourne
Education: Sydney Conservatorium of Music

Philip has been the associate principal clarinet of the MSO since 2009 and was principal with the Malaysian Philharmonic Orchestra, with whom he has had an ongoing association ever since. After completing his Bachelor of Music at The Sydney in Conservatorium under Peter Jenkin he went on to win the ABC young performers award in 1997 playing the Francaix Concerto and was the 2MBS radio performer of the year in 1996. Philip has been guest principal with the AOBO and ACO and has appeared both as soloist and as guest principal with the Sydney, West Australian, Queensland, Tasmanian and Melbourne Symphony orchestras and was a frequent soloist with the Malaysian Philharmonic Orchestra during his tenure there.

Philip is a founding member of Plexus and has given masterclasses in South America, across Asia and Australia, teaching often at ANAM, Melbourne University and The Canberra School of Music. He played with Camerata Bern across Europe and toured India with the AWO in 2015. He has shared the stage with various notable performers including Vesselina Kassarova in Mozart’s Parto Parto during Camerata Berns’ South American tour in 2013, Sting during his 2011 Australian tour with ‘Englishman in New York and Mad about You’ and more recently as a soloist accompanied by the MSO and the Lincoln City Jazz Orchestra with Wynton Marsalis in Bernstein’s Prelude Fugue and Riffs.

Last updated 2019

Francesco (Frank) Celata

Australian Hometown(s): Melbourne & Sydney
Education: Sydney Conservatorium of Music; Victorian College of the Arts

Mr Frank Celata is Associate Principal Clarinet with the Sydney Symphony Orchestra and an AWO Board Member. Mr Celata graduated from the Victorian College of the Arts 1987, prior to that he studied, and is now a lecturer, at the Sydney Conservatorium of Music.

He is a founding member of the chamber ensemble the Sydney Soloists and is a member of the New Sydney Wind Quintet. In 2013 he accepted the position of Lecturer in Orchestral and Chamber Music at the Conservatorium of Music in Hobart.

On several occasions between 2003 and 2009 he appeared with the London Symphony Orchestra as guest Principal Clarinet, performing on international tours and recordings. More recently he appeared as guest Principal Clarinet with the Philharmonia Orchestra of London touring internationally and recording with them. Frank plays Principal Clarinet with the Australian World Orchestra, comprising 110 of Australia’s leading musicians drawn from 47 orchestras around the world.

Last updated 2018

Paul Champion

Australian Hometown(s): Sydney & Melbourne
Education: Sydney Conservatorium of Music High School

Paul has been Principal Clarinet of  Orchestra Victoria since 2004. During this time he has appeared as a soloist with OV in Mozart’s Clarinet Concerto, Rossini’s Introduction, Theme and Variations and Weber’s Concertino.

He has been Guest Principal Clarinet with the Australian World Orchestra (2015 tour of India), Sydney Symphony Orchestra, Melbourne Symphony Orchestra, the Australian Opera and Ballet Orchestra, the Queensland Symphony Orchestra, the Tasmanian Symphony Orchestra, and the Canberra Symphony Orchestra. Paul is a currently Lecturer at the University of Melbourne, Monash University, and teaches in his private studio.

Paul was born in Sydney and studied with Mark Walton, Head of Woodwind at the Sydney Conservatorium. After leaving school Paul studied Commerce at the University of New South Wales and began learning from Frank Celata, Associate Principal of the Sydney Symphony. In 1997 he gained his Licentiate of Music (LMus) Diploma through the AMEB, a year later the Fellowship of Music (FMus) Diploma, and during this time recorded a CD of Australian clarinet music.

He is also co-founder and CEO of education platform Online Virtuoso.

Last updated 2018

Jonathan Craven

Australian Hometown(s): Brisbane & Melbourne
Education: Queensland Conservatorium, Royal Academy of Music, London

Jonathan studied Clarinet with Floyd Williams at the Queensland Conservatorium. When he finished school, he was accepted into the Diploma of Music (Performance) course, and during this time he won several prizes for both solo performing and chamber music.

Upon completion of the Diploma, Jonathan travelled to London where he received a licentiate of the Royal Academy of Music.

Jonathan moved to Perth to teach at the West Australian Conservatorium of Music when he returned to Australia. In 1993 he was appointed Principal Bass Clarinet for the West Australian Symphony Orchestra (WASO). Three years later Jonathan became Associate Principal Clarinet in the same orchestra.

Jonathan worked freelance in Melbourne and Tasmania until he was appointed to the position of Principal Bass Clarinet with the Melbourne Symphony Orchestra in 2001.

Last updated 2020

Paul Dean

Australian Hometown: Brisbane
Education: Queensland Conservatorium

Brisbane born and bred clarinetist Paul Dean is regarded as one of Australia’s foremost musicians in his multiple capacities as soloist, recitalist, chamber musician, composer and artistic director.

He currently holds the position of Head of Winds at Queensland Conservatorium, Griffith University. Paul was the Artistic Director of the Australian National Academy of Music (ANAM) from 2010 – 2015. He is a founding member of the Endeavour Trio and is Co-Artistic Director of Ensemble Q with cellist Trish O’Brien.

Paul was the Artistic Director of the Four Winds Festival and the Tutti Beijing International Youth Music Festival and was also the founder of the Southern Cross Soloists, the Bangalow Music Festival, the Coramba Chamber Music Festival and the Sunwater and Stanwell Winter Music School. 

Between 1987 and 2000 he was Principal Clarinet with the Queensland Symphony Orchestra and has appeared as soloist with the Orchestra on over 40 occasions.

Paul has performed as soloist with the Queensland, Melbourne, West Australian, Adelaide and Tasmanian Symphony Orchestras, the Melbourne Chamber Orchestra, Southern Sinfonia NZ, Trondheim Symfoniker (Norway). He has been guest artist with the Navarra Quartet, the Doric Quartet, the Heath Quartet, the Australian String Quartet, the Goldner String Quartet, the Grainger Quartet, the Flinders Quartet, and the Tin Alley Quartet. He has performed as soloist at many Festivals throughout world including the Oxford May Music Festival, the Huntington Music Festival, Alpine Classic Switzerland, the Australian Festival of Chamber Music, Trondheim Chamber Music Festival, Coramba Chamber Music Festival, Camden Haven Music Festival, and the Melbourne, Christchurch, Brisbane, Queensland, Perth, and Sydney Festivals.

Paul’s recording of the Mozart and Brahms clarinet works for the Melba label, and the clarinet music of English composer Benjamin Frankel for German label CPO have won high praise from critics around the world.

Paul has composed music for the violinists Jack Liebeck and Anthony Marwood, cellists Torleif Thedeen, Trish O’Brien and Patrick Murphy, tenor Andrew Goodwin and pianist Daniel De Borah, harpist Marshall McGuire, the Brodsky and Flinders Quartets, Katie Noonan, the Melbourne Piano Trio, the Seraphim Trio, the Endeavour Trio and the Australian Flute Festival. Paul premiered an opera commissioned by the Queensland Conservatorium Opera School, with the Orchestral Fragments being performed by the Queensland Symphony Orchestra in August 2017. 

Paul was appointed Composer in Residence for the Melbourne Symphony Orchestra’s 2019 season. His clarinet concerto was premiered by the MSO with the composer as soloist and Michael Collins conducting. His violin concerto, “A Brief History” was dedicated to Stephen Hawking and was premiered in the MSO’s “Symphonic Universe” performances with presenter Brian Cox and violinist Jack Liebeck. 

Future major commissions include a concerto for French Horn, for Andrew Bain (principal horn, Los Angeles Philharmonic) and commissioned by the Aspen Music Festival (Colorado) and the Adelaide Symphony Orchestra.

Paul is an endorsed D’Addario Artist and plays D’Addario Reserve Evolution Bb Clarinet reeds and mouthpieces.

Last updated 2021

Philip Green

Australian Hometown(s): Sydney & Melbourne
Education: Sydney Conservatorium of Music

Clarinettist Phil Green studied in Sydney with Frank Celata and Mark Walton. He worked amongst several of New Zealand and Australia’s leading orchestras before joining the New Zealand Symphony Orchestra as Co-Principal Clarinet in 2003.

He has been active as both a soloist and chamber musician and has regularly been involved in introducing new works by top NZ composers including Ross Harris, Anthony Ritchie and Gareth Farr. For Chamber Music New Zealand he has toured nationally with the acclaimed NZ String Quartet and especially with the wind quintet Zephyr. He has performed as part of the new music ensemble Stroma and tutored clarinet at the New Zealand School of Music for 10 years.

In 2014 Phil was pleased to return to Australia and was appointed Associate Principal Clarinet of the Australian Opera and Ballet Orchestra, (now Opera Australia Orchestra).

Last updated 2020

Som Howie

Australian Hometown: Sydney
Education: Royal College of Music in Stockholm; Sydney Conservatorium of Music

Originally from Sydney Australia, Som studied his Masters with Hermann Stefánsson and Andreas Sundén at the Royal College of Music in Stockholm, and his Bachelor with Frank Celata at the Sydney Conservatorium of Music.

As an orchestral musician Som has performed with major orchestras around the world including; The Swedish Radio Symphony, Royal Stockholm Philharmonic, Swedish Chamber Orchestra, Royal Swedish Opera, Royal Liverpool Philharmonic, Royal Philharmonic Orchestra, Malaysian Philharmonic, Sydney Symphony, Australian Opera and Ballet, and the New Zealand Symphony Orchestra.

In 2016 Som was selected for the Royal Stockholm Philharmonic Orchestra Academy. Previous to this, Som has held academy positions with the Sydney Symphony, and London Philharmonic Orchestra’s Future Firsts Scheme.
As a soloist, Som has performed concertos with the Adelaide Symphony Orchestra, Western Australia Symphony Orchestra, Willoughby Symphony Orchestra, the Southbank Sinfonia in the UK and in 2016 he recorded English composer Geoffrey Hanson’s Clarinet Concerto with the London Mozart Players.

Som was a prize winner for the Royal Overseas League (ROSL) Annual Competition, and as a result toured with his trio, the Dolmen Ensemble on behalf of ROSL to; Malta, Scotland, and New Zealand.In 2015 Som recorded his first solo album with his Father, David Howie. The album is titled ‘Premiere Rhapsody’ and was produced by UK based record label, Cala Records.

Last updated 2018

Dean Newcomb

Australian Hometown: Adelaide
Education: Australian National Academy of Music; Griffith University

Dean Newcomb is currently the Principal Clarinettist with the Adelaide Symphony Orchestra, a position he has held since 2008. Dean has performed as guest Principal Clarinet with various orchestras in Australia and overseas including the Australian Chamber Orchestra, Sydney Symphony Orchestra, Queensland Symphony Orchestra, Auckland Philharmonia and was offered the Principal Clarinet position with The Macau Orchestra before deciding to settle in Adelaide. His solo concerto performances have been met with critical acclaim, with reviewers praising his “musical gifts, technical finesse and outstanding ability” (The Advertiser).

Dean regularly performs as a recital and chamber musician with Australia’s leading ensembles including the Australian String Quartet, The Australia Ensemble, Southern Cross Soloists, the Hamer String Quartet for the opening of the Melbourne Recital Centre and the world premiere of Arthur Benjamin’s century-old Clarinet Quintet with the Goldner String Quartet. His active involvement in music education includes giving masterclasses, lecturing and tutoring at the Elder Conservatorium of Music, tutoring for the Australian Youth Orchestra’s orchestral and chamber music seasons and adjudicating at the Lisbon International Clarinet Competition in Portugal. Dean Newcomb is a D’Addario Woodwinds artist.

Last updated 2018

Susan Newsome

Australian Hometown: Sydney
Education: Sydney Conservatorium of Music; Rotterdam Conservatorium


Clarinetist Sue Newsome embraces all elements of the music sphere with enthusiasm. Her performance career ranges from popular musicals such as Les Miserables, Phantom of the Opera and Miss Saigon to classical chamber performances with Musica Viva and the vibrant Windbags Quintet and orchestral appearances with the Australian World Orchestra, Sydney Symphony Orchestra, Australian Opera and Ballet Orchestra and the Malaysian Philharmonic Orchestra.

Sue is passionate about performing contemporary classical music and is associated with ensembles such as Clogs, the Seymour Group, Sydney Alpha Ensemble, Aark New Music Ensemble and TouchBass electro-acoustic duo. Her solo and chamber recitals have been important elements of festivals and conferences, including the 2011 Australian Clarinet and Saxophone Festival, the 2005 World Bass Clarinet Convention, the 2002 Australasian Clarinet and Saxophone Conference and the 2008 Sydney Festival (where she appeared with the New York based indie-rock band, The National).

Sue has recorded premiere performances for the Australian Broadcasting Commission and Belgian Radio and can be heard on numerous recordings, including the Sydney Symphony Orchestra’s Symphony No.10 by Mahler and Eclairs sur l’Eau-dela by Messian, the Australian Opera and Ballet Orchestra’s The Love for Three Oranges by Prokofiev, Sydney Alpha Ensemble’s Silbury Air, the Seymour Ensemble’s House Songs, Anthology of Australian Music on Disc and the Netherlands-based Duo Contemporain’s Made in Leiden. She also features on The Creatures in the Garden of Lady Walton, the most recent album of the renowned New York contemporary chamber ensemble, Clogs.

A graduate of the Sydney Conservatorium of Music where she studied clarinet with Gabor Reeves, Sue was the recipient of an Australia Council International study grant, which took her to Rotterdam Conservatorium for postgraduate bass clarinet study (Uitvoerend Musicus) with Professor Henri Bok.

Sue is in strong demand as a bass clarinet specialist and regularly collaborates with leading composers on new works for premiere performances. As a dedicated teacher, the vast scope of her performance career brings a rich palette to her students. She has lectured and delivered masterclasses in Australia and the Netherlands and has taught clarinet for the Newcastle Conservatorium and the University of New South Wales.

Last updated 2018

Richard Rourke

Australian Hometown: Sydney
Education: Sydney Conservatorium of Music


Richard Rourke graduated with merit from the Sydney Conservatorium of Music in 1988 having studied clarinet with Gabor Reeves and John St George. He spent two years freelancing in London, studying under Margaret Archibald and John McCaw. Since 1992 he has been a permanent member of the Opera Australia Orchestra, performing at the Sydney Opera House with Opera Australia and The Australian Ballet. He has worked under many international conductors such as Richard Bonynge, Simone Young and Richard Hickox, and with singers such as Luciano Pavarotti and Brynn Terfel.

Richard has recorded and performed widely as a soloist and chamber musician, and is a member of the contemporary ensemble The Gallery Players under the directorship of Sydney composer Alan Holley, with whom he has had a close association for twenty years. He has also worked with the Sydney Symphony and the Australia Ensemble. In 2010 he played with the Australian Chamber Orchestra on their trans-Atlantic tour, performing at Tanglewood Festival in the US and major European summer festivals. In October 2014 Richard received grants from the George and Nerissa Johnson Memorial Scholarship Bequest and the PPCA Performers’ Trust Foundation in order to undertake professional development in New York with past and present clarinettists of the Metropolitan Opera Orchestra.

In addition to the clarinet, Richard also dabbles on the Saxophone and enjoys playing in the Orchestra’s big band.

Last updated 2020