Australian Hometown(s): Sydney & Melbourne
Education: Sydney Conservatorium of Music; Australian National Academy of Music
Australian keyboardist and composer Jacob Abela is a soloist and chamber musician specialising in the new music field. Jacob is Australia’s leading voice for the Ondes Martenot, a French keyboard instrument which predates the synthesiser. Jacob is a founding member and co-director of new music outfit Rubiks, who have enjoyed critical acclaim for their contribution to Melbourne’s contemporary music scene.
Jacob also performs regularly with the Melbourne and Sydney Symphony Orchestras, and has appeared with renowned ensembles such as Ensemble Offspring, Argonaut Ensemble (BIFEM), Speak Percussion, and Synergy Percussion. Festival credits include the Bang on a Can Summer Music Festival (USA), Bendigo International Festival of Exploratory Music, Metropolis New Music Festival, ISCM World New Music Days, Sydney Festival, and Mathemusical Conversations (Singapore).
Last updated 2017
Australian Hometown: Brisbane
Education: Queensland Conservatorium
Warwick Adeney was born into a large family of violinists and trained at Queensland Conservatorium alongside three of his siblings. There he learnt with Dr Anthony Doheny, was a member of the Ambrosian Quartet, and emerged as the Gold Medal graduate of 1984.
He joined Queensland Theatre Orchestra under Georg Tintner, and rose to the concertmastership in 1989. During the years of Anthony Camden’s musical oversight, Warwick Adeney played many solos, including the memorable Lark Ascending with Sir Neville Marriner, and directed many concerts.
In 2001, the amalgamation of orchestras in Queensland occurred and Warwick Adeney served (initially as co-concertmaster with Alan Smith) under conductor Michael Christie and then Johannes Fritzsch, and now exults in the glorious reign of Alondra de la Parra. Over the years Warwick Adeney has continued to enjoy the privileged and challenging life of the orchestra, and become something of a specialist in ballet solos and the Four Seasons along the way.
Married to Michele, a fellow musician, Warwick Adeney is blessed with nine children, all of whom learn a variety of instruments, and the family attends a weekly traditional Latin mass.
The violin Warwick plays is a Venetian instrument from the early 18th century, possibly by Carlo Antonio Testore.
Last updated 2018
Australian Hometown(s): Canberra & Sydney
Education: Australian National University; Sydney Conservatorium of Music
Originally from Canberra, Josephine studied there with Ann Thompson, John Winther and Larry Sitsky before moving to Sydney for postgraduate work with David Miller and Nikolai Evrov. She combines a busy performing and teaching career with her work in the Ensemble Studies, Vocal, and Conducting Units at the Sydney Conservatorium of Music.
As the Sydney Symphony’s Principal Keyboard from 1996 to 2012, she has worked with many of the world’s leading conductors, including Lorin Maazel, Charles Dutoit, and Edo de Waart. She has also performed with a diversity of other companies, such as the Australian Chamber Orchestra, the Australian Opera and Ballet Orchestra, the Melbourne Symphony Orchestra and the Tasmanian Symphony Orchestra, as well as the Australia Ensemble, the Song Company, Cantillation, the Seymour Group, Alpha Ensemble, Sydney Philharmonia Choirs, and Opera Australia.
As Sydney Philharmonia Choir’s Principal Accompanist for many years, Josephine has experienced all the major choral works both in rehearsal and performance. She also works with many other choirs, including Gondwana Choirs, Willoughby and Warringah Choruses, Cantillation and many others.
Last updated 2018
Australian Hometown: Canberra
Education: Canberra School of Music
The Australian violinist Jonathan Allen first studied at the Canberra School of Music with Vincent Edwards and Josette Esquidin before moving to Hobart to further his studies with Jan Sedivka. His reputation quickly grew with public performances and broadcasts of concertos by Prokofieff, Tchaikovsky, Haydn, Samuel Barber and Vaughan Williams. However, it was his talent and vital interest in chamber music that led to the appointment as leader of the Petra String Quartet (Quartet in Residence at the University of Tasmania). The Quartet‘s enthusiasm for commissioning and premiering new works resulted in the CD recordings of twelve Australian quartets.
In 1987 Jonathan Allen was awarded an International Study Grant that led him through Canada to Europe attending master classes and studying with prominent musicians such as Zoltan Szekely, Lorand Fenyves, Max Rostal and Sandor Vegh.
After a short term in the London Symphony Orchestra he moved to the musically inspiring city of Vienna. Using Vienna as his base and working with the Vienna Chamber Orchestra, he also toured extensively as concertmaster of the Konzert Ensemble Salzburg, Neue Wiener Solisten and Klangforum Wien.
An invitation in 1989 as guest assistant concertmaster of the Australian Chamber Orchestra led to extensive tours of Australia, South America and Europe.
Alongside commitments as a member of Philharmonia Zürich – das Orchester des Opernhauses Zürich since 1991, Jonathan Allen has appeared as Concertmaster with the Zürich Chamber Orchestra, Tasmanian Symphony Orchestra, Malaysian Philharmonic Orchestra, Auckland Philharmonia, Melbourne Symphony Orchestra, Orchestra Victoria and the 21st Century Orchestra. During 2006 – 2007 he was acting 2nd Concertmaster at the Zurich Opera House, Philharmonia Zurich. Jonathan Allen regularly performed with Ensemble Zero and is the founding member of Ensemble/Piano Trio Il Trittico, in which the latter received outstanding critiques in the “Strad” and “Musik und Theater” for their premier recordings of the complete Joachim Raff Piano Trios, www.trittico.ch. In 2011 the prominant CD label Divox released the world premier recording of Joachim Raff’s two Piano Quartets which were nominated for the renowned Echo Prize. Jonathan Allen has for many years taken an interest in discovering undeservingly neglected chamber music works and dedicated himself to making public forgotten masterpieces. His performing schedule has included live broadcasts for Radio and TV, chamber music concerts in various Festivals (America, Canada and Europe) and CD recordings (Divox, Arte Nova – Sony BMG, Gallo, ABC classics and ProViva). Directly inspired from the years of working with N. Harnoncourt and William Christie, (predominantly in the ensemble “la Scintilla”) Jonathan has enriched his musical spheres not only with early music performing with the historical instrumental practise but has also branched out to include jazz concerts in his musical adventures. Jonathan continues to reside in Zurich as a member of Philharmonia Zurich.
Last updated 2019
Australian Hometown(s): Melbourne & Sydney
Education: University of Melbourne
Sophia completed a Bachelor of Music at Melbourne University and has performed with the Australian Youth Orchestra and the Sydney Symphony Sinfonia. She currently teaches in the Taikoz Taiko School, with a particular focus on the taiko/musical development of young children.
Last updated 2019
Australian Hometown: Melbourne
Education: Victoria College of the Arts
John Arcaro has been a member of the Melbourne Symphony Orchestra since 1990. He has also been a guest timpanist/percussionist with Orchestra Ensemble Kanazawa Japan, Malaysian Philharmonic, Singapore Symphony Orchestra, New Zealand Symphony Orchestra, and almost all Australian Symphony/Opera and Ballet Orchestras. He has worked as a chamber musician and soloist with ensembles such as the Australian Chamber Orchestra, Melbourne Chamber Orchestra, Synergy Percussion, Speak Percussion, Astra, Aphids and the Pokrovsky Ensemble Russia.
Performance highlights have included a critically acclaimed performance of Stockhausen’s Kontakte with pianist Michael Kieran Harvey. John has recorded numerous film scores and performed with a wide range of popular artists, including Frank Sinatra, Olivia Newton-John, KISS and Sting. John studied in New York and Philadelphia with leading orchestral percussionists after graduating from the Victorian College of the Arts (VCA) with high distinction.
Last updated 2019
Australian Hometown(s): Sydney & Melbourne
Education: Sydney Conservatorium of Music
Philip has been the associate principal clarinet of the Melbourne Symphony Orchestra since 2008. He was Principal of the Malaysian Philaharmonic in KL for 11 years prior to that, and has appeared as guest principal with every Australian orchestra except Adelaide. Philip has worked with the ACO, the Camerata Bern and the MCO amongst others and is a founding member of the Plexus Trio with Monica Curro and Stefan Cassomenos. He is also a founder of the Melbourne Ensemble septet which is currently artist in residence at the MSO.
Philip has appeared as soloist with the Sydney, Melbourne, Queensland, West Australian and Tasmanian, Corpus Medicorum and Zelman symphony orchestras and also with the Malaysian and Royal Melbourne philharmonics in repertoire ranging from Mozart to Heinze. He was the young performer of the year for 2MBSFM in 1996 and for the ABC in 1997.
Philip teaches at Melbourne University and has been a guest teacher at ANAM, Monash, ANU and NMC. He studied with Peter jenkin at the Sydney Con, Valentin Sacharov in Strasbourg and earlier with Steven Kenyon and Bernard Wattelet.
Last updated 2021
Australian Hometown: Sydney
Education: Universitaet Mozarteum, Austria; University of British Columbia, Canada
Robert Ashworth is having a great time being Principal viola for the Auckland Philharmonia Orchestra. He arrived from Canada to New Zealand shores in 2003 for a one-year adventure, he found a connection with the country through its music, people and country-side, his animals and family.
He has been guest-principal viola for the Melbourne Symphony Orchestra, the New Zealand Symphony Orchestra and the Australian Opera and Ballet Orchestra, as well as assistant-principal for the Calgary Philharmonic Orchestra. He is violist with the Jade String Quartet in Auckland, and also plays with the Australian World Orchestra.
Robert is a twice recipient of the Canada Council for the Arts Award for Emerging Artists and has performed with various groups at international chamber music festivals in Europe, North America, and Japan. He has had the honour of studying with violists Thomas Riebl and Veronika Hagen at the Universitaet Mozarteum in Salzburg, Austria and with Gerald Stanick at the University of British Columbia in Vancouver, Canada.
Last updated 2019
Australian Hometown: Adelaide
Education: Elder Conservatorium, University of Adelaide; University of Music Karlsruhe, Germany
ANDREW BAIN was appointed to the Chair of Principal Horn of the Los Angeles Philharmonic by Gustavo Dudamel in May 2011.
Raised in Adelaide, Andrew was first introduced to music at the age of 8 when he took up the piano. Four years later, he was enrolled at Brighton High School in their special music program and soon after switched to the French horn because he loved the sound. Andrew ultimately received a Bachelor in Music from the Elder Conservatorium of Music at the University of Adelaide studying with Patrick Brislan. He furthered his studies with Geoff Collinson in Sydney, Hector McDonald in Vienna, and in 2003 completed a Graduate Diploma in Chamber Music under Will Sanders in Karlsruhe, Germany.
Prior to moving to LA Andrew held positions of Principal Horn of the Melbourne Symphony Orchestra, Queensland Symphony Orchestra, Münchner Symphoniker and the Australian Opera & Ballet Orchestra, and Associate Principal Horn of the Adelaide Symphony Orchestra. From 2003-2012 he was the Principal Horn of the Colorado Music Festival.
A highly regarded solo artist, Andrew has appeared regularly as a soloist with the LA Phil since joining the orchestra. Andrew has also appeared at the front of the stage with the Melbourne and Queensland Symphony Orchestras, Colorado Music Festival, Colburn Orchestra and Music in the Round Festival. In 2015 Andrew presented the world premiere of Brad Warnaar’s Horn Concerto with the Hollywood Chamber Orchestra and looks forward to recording the work in 2016. A keen chamber musician, Andrew loves to explore the possibilities of the horn in various ensembles and most recently gave the first performance of Geoffrey Gordon’s Winterleben for Mezzo Soprano, Horn and Piano.
In addition to performing, Andrew is passionate about education and is proud to be the Horn Professor at the Colburn School Conservatory. Andrew has held teaching positions with the Australian National Academy of Music, University of Melbourne, Tasmanian Conservatorium of Music and Sydney Conservatorium. He has also given master classes and lectures throughout the United States, Europe and Australasia.
Last updated 2018
Australian Hometown(s): Brisbane & Melbourne
Education: University of Maryland; Cleveland Institute of Music
Brisbane-born violinist, Dale Barltrop, is Concertmaster of the Melbourne Symphony Orchestra and First Violinist of the Australian String Quartet. He previously served as Concertmaster of the Vancouver Symphony Orchestra in Canada and Principal Second Violin of the St Paul Chamber Orchestra in the United States, having performed with all of these orchestras as soloist and director.
Barltrop has also appeared as Concertmaster of the Australian World Orchestra under Sir Simon Rattle, guest director of the Australian Chamber Orchestra, ACO2 and the Camerata of St John’s chamber orchestra in Brisbane. He has performed at numerous music festivals across North America, including Mainly Mozart, Festival Mozaic, Music in the Vineyards, Yellow Barn, Kneisel Hall, Tanglewood and the New York String Seminar.
Barltrop began his violin studies in Brisbane through the Queensland Instrumental Music Program, made his solo debut with the Queensland Symphony Orchestra at the age of 15 and was Concertmaster of both the Queensland and Australian Youth Orchestras. He moved to the United States in 1998 to attend the University of Maryland and continued his studies at the Cleveland Institute of Music. His teachers have included William Preucil, Gerald Fischbach, the members of the Guarneri Quartet, Elizabeth Morgan and Marcia Cox.
A passionate educator, Barltrop has served on the faculties of the Vancouver Symphony Orchestra School of Music and the Vancouver Academy of Music. He has also taught at the University of British Columbia, National Orchestral Institute in Maryland, Australian National Academy of Music and Australian Youth Orchestra.
Barltrop performs on a violin crafted by JB Guadagnini, Turin, 1784. It is on loan from the Ukaria Cultural Centre and was purchased through the generosity of Allan J Myers AO, Maria J Myers AO and the Klein Family.
Last updated 2018