Warwick Adeney

Australian Hometown: Brisbane
Education: Queensland Conservatorium

PROFESSIONAL BIOGRAPHY
Warwick Adeney was born into a large family of violinists and trained at Queensland Conservatorium alongside three of his siblings. There he learnt with Dr Anthony Doheny, was a member of the Ambrosian Quartet, and emerged as the Gold Medal graduate of 1984.

He joined Queensland Theatre Orchestra under Georg Tintner, and rose to the concertmastership in 1989. During the years of Anthony Camden’s musical oversight, Warwick Adeney played many solos, including the memorable Lark Ascending with Sir Neville Marriner, and directed many concerts.

In 2001, the amalgamation of orchestras in Queensland occurred and Warwick Adeney served (initially as co-concertmaster with Alan Smith) under conductor Michael Christie and then Johannes Fritzsch, and now exults in the glorious reign of Alondra de la Parra. Over the years Warwick Adeney has continued to enjoy the privileged and challenging life of the orchestra, and become something of a specialist in ballet solos and the Four Seasons along the way.

Married to Michele, a fellow musician, Warwick Adeney is blessed with nine children, all of whom learn a variety of instruments, and the family attends a weekly traditional Latin mass.

The violin Warwick plays is a Venetian instrument from the early 18th century, possibly by Carlo Antonio Testore.

Last updated 2018

Jonathan Allen

Australian Hometown: Canberra
Education: Canberra School of Music

PROFESSIONAL BIOGRAPHY
The Australian violinist Jonathan Allen first studied at the Canberra School of Music with Vincent Edwards and Josette Esquidin before moving to Hobart to further his studies with Jan Sedivka.  His reputation quickly grew with public performances and broadcasts of concertos by Prokofieff, Tchaikovsky, Haydn, Samuel Barber and Vaughan Williams. However, it was his talent and vital interest in chamber music that led to the appointment as leader of the Petra String Quartet (Quartet in Residence at the University of Tasmania). The Quartet‘s enthusiasm for commissioning and premiering new works resulted in the CD recordings of twelve Australian quartets.

In 1987 Jonathan Allen was awarded an International Study Grant that led him through Canada to Europe attending master classes and studying with prominent musicians such as Zoltan Szekely, Lorand Fenyves, Max Rostal and Sandor Vegh.

After a short term in the London Symphony Orchestra he moved to the musically inspiring city of Vienna. Using Vienna as his base and working with the Vienna Chamber Orchestra, he also toured extensively as concertmaster of the Konzert Ensemble Salzburg, Neue Wiener Solisten and Klangforum Wien.

An invitation in 1989 as guest assistant concertmaster of the Australian Chamber Orchestra led to extensive tours of Australia, South America and Europe.

Alongside commitments as a member of Philharmonia Zürich – das Orchester des Opernhauses Zürich since 1991, Jonathan Allen has appeared as Concertmaster with the Zürich Chamber Orchestra, Tasmanian Symphony Orchestra, Malaysian Philharmonic Orchestra, Auckland Philharmonia, Melbourne Symphony Orchestra, Orchestra Victoria and the 21st Century Orchestra. During 2006 – 2007 he was acting 2nd Concertmaster at the Zurich Opera House, Philharmonia Zurich. Jonathan Allen regularly performed with Ensemble Zero and is the founding member of Ensemble/Piano Trio Il Trittico, in which the latter received outstanding critiques in the “Strad” and “Musik und Theater” for their premier recordings of the complete Joachim Raff Piano Trios, www.trittico.ch. In 2011 the prominant CD label Divox released the world premier recording of Joachim Raff’s two Piano Quartets which were nominated for the renowned Echo Prize. Jonathan Allen has for many years taken an interest in discovering undeservingly neglected chamber music works and dedicated himself to making public forgotten masterpieces. His performing schedule has included live broadcasts for Radio and TV, chamber music concerts in various Festivals  (America, Canada and Europe) and CD recordings (Divox, Arte Nova – Sony BMG, Gallo, ABC classics and ProViva). Directly inspired from the years of working with N. Harnoncourt and William Christie, (predominantly in the ensemble “la Scintilla”) Jonathan has enriched his musical spheres not only with early music performing with the historical instrumental practise but has also branched out to include jazz concerts in his musical adventures. Jonathan continues to reside in Zurich as a member of Philharmonia Zurich.

Last updated 2019

Dale Barltrop

Australian Hometown(s): Brisbane & Melbourne
Education: University of Maryland; Cleveland Institute of Music

PROFESSIONAL BIOGRAPHY
Brisbane-born violinist, Dale Barltrop, is Concertmaster of the Melbourne Symphony Orchestra and First Violinist of the Australian String Quartet. He previously served as Concertmaster of the Vancouver Symphony Orchestra in Canada and Principal Second Violin of the St Paul Chamber Orchestra in the United States, having performed with all of these orchestras as soloist and director.

Barltrop has also appeared as Concertmaster of the Australian World Orchestra under Sir Simon Rattle, guest director of the Australian Chamber Orchestra, ACO2 and the Camerata of St John’s chamber orchestra in Brisbane. He has performed at numerous music festivals across North America, including Mainly Mozart, Festival Mozaic, Music in the Vineyards, Yellow Barn, Kneisel Hall, Tanglewood and the New York String Seminar.

Barltrop began his violin studies in Brisbane through the Queensland Instrumental Music Program, made his solo debut with the Queensland Symphony Orchestra at the age of 15 and was Concertmaster of both the Queensland and Australian Youth Orchestras. He moved to the United States in 1998 to attend the University of Maryland and continued his studies at the Cleveland Institute of Music. His teachers have included William Preucil, Gerald Fischbach, the members of the Guarneri Quartet, Elizabeth Morgan and Marcia Cox.

A passionate educator, Barltrop has served on the faculties of the Vancouver Symphony Orchestra School of Music and the Vancouver Academy of Music. He has also taught at the University of British Columbia, National Orchestral Institute in Maryland, Australian National Academy of Music and Australian Youth Orchestra.

Barltrop performs on a violin crafted by JB Guadagnini, Turin, 1784. It is on loan from the Ukaria Cultural Centre and was purchased through the generosity of Allan J Myers AO, Maria J Myers AO and the Klein Family.

Last updated 2018

Lucas Barr

Australian Hometown: Melbourne
Education: Victorian College for the Arts

PROFESSIONAL BIOGRAPHY
Lucas grew up in Melbourne where he could be found busking on the streets of Box Hill at the age of just 15. While studying at the Victorian College for the Arts, Lucas was invited to study in Austria where his teacher and mentor Brian Finlayson was appointed. With the help of a music loving Melbourne arts patron Lucas moved to Klagenfurt in southern Austria at 16 years of age.

Barr moved to Cologne two years later to continue his studies where he met his future wife Suzanne, a clarinettist. During this time Lucas played, toured and recorded with the Cologne Chamber Orchestra as well as playing as a soloist with various string quartets.

Lucas played with the prestigious Bayreuth Festival Orchestra and has played in almost all Australian World Orchestra concert seasons, including tours to India and Singapore. He currently holds a position with WDR Symphony Orchestra in Germany.

Last updated 2018

Antoine (Tony) Bedewi

Australian Hometown: Sydney
Education: Hong Kong Academy for Performing Arts, Royal Academy of Music, London

PROFESSIONAL BIOGRAPHY
Antoine Bedewi holds the position of Principal Timpanist with the BBC Symphony Orchestra, best known as the host orchestra of the world’s biggest international classical music festival, the BBC Proms.

Prior to joining the BBCSO in 2017 Antoine held the position of Co-Principal Timpanist with the London Symphony Orchestra, whilst simultaneously freelancing with all of the major orchestras in London and the UK. He has also performed around the world with a variety of orchestras and conductors including the Orchestre Révolutionnaire et Romantique, St Petersburg Philharmonic Orchestra, Chamber Orchestra of Europe and the Australian World Orchestra. In 2007 he served as the Principal Timpanist at Chile’s national opera house, Teatro Municipal.

As a percussionist, Antoine appears frequently with the Colin Currie Group, an internationally-acclaimed ensemble founded in 2006 specialising in the music of Steve Reich. With Reich’s personal endorsement the group has performed at international venues including London’s Royal Festival Hall, Louis Vuitton Foundation (Paris), Elbphilharmonie (Hamburg), Amsterdam’s Concertgebouw and Opera City Tokyo.

Antoine currently teaches orchestral timpani at London’s Royal Academy of Music, having previously completed his postgraduate studies there in 2005. Prior to this he was awarded a first-class degree in music from the Hong Kong Academy for Performing Arts, where he was also presented with the Director’s Prize for all-round excellence and service to the Academy.

His teachers include Simon Carrington and Alan Cumberland, whose virtuosic Two Challenges for Timpani (2003) are dedicated to Antoine.

Last updated 2021

Lukas Beno


Education: Mannheim University of Music and Performing Arts

PROFESSIONAL BIOGRAPHY 
Lukas Beno is Principal Trumpet of the Gewandhausorchester as well as a member of both the Bayreuth Festival Orchestra and the Australian World Orchestra. Together with other principal brass players he became a founding member of the Gewandhaus Brass Quintett, which successfully tours throughout Europe. He has played as Guest Principal Trumpet with the Berliner Philharmoniker, the NDR Symphony Orchester in Hamburg, the Sächsische Staatskapelle Dresden any many other prestigious orchestras.

Lukas Beno has played as a celebrated soloist with such orchestras as the Gewandhausorchester, the Düsseldorfer Symphoniker, the Nuremberg Symphony Orchestra, the Jena Philharmonic Orchestra and the Camerata Bern. Parallel to his artistic career, he holds regular master classes in Germany as well as in the USA, China, Australia, Venezuela, Cyprus, Brazil, Taiwan and Singapore. Lukas Beno studied with Prof. Günther Beetz in Mannheim.

Last updated 2018

Kees Boersma

Australian Hometown: Sydney
Education: Victorian College of the Arts, Sweelinck Conservatorium, Amsterdam

PROFESSIONAL BIOGRAPHY
Kees Boersma has held the position of Principal Double Bass with the Sydney Symphony Orchestra since 1990.  He has performed with Australian World Orchestra since its formation in 2011.

In recognition of his solo talents, the SSO has commissioned new works from leading Australian composers featuring Kees as soloist. His 2013 performance of Mary Finsterer’s “Lake Ice Concerto for Double Bass and Orchestra was a finalist in the prestigious APRA Awards for ‘Best Performance of a New Australian Work’. He has been similarly recognized with the commission and performances of the Concerto for Double bass and Orchestra ‘Young Tree Green’ by Colin Bright.

In 2012, Kees was invited to be the founding Artistic Director of the SSO ‘Vanguard’ – curating a concert series in innovative and contemporary venues, seeking to encourage young philanthropists to engage and invest in their orchestra. He is currently the President of the SSO Musician’s Association.

The Australian World Orchestra commissioned Elena Kats Chernin to compose The Witching Hour, the first concerto for eight double basses in orchestral history on the occasion of the AWO’s Fifth Anniversary. Kats-Chernin composed The Witching Hour especially to showcase the extraordinary AWO double bass section comprising Max McBride (formerly ACO, Vienna State Opera, Senior Lecturer ANU School of Music), Kirsty McCahon (formerly Australian Brandenburg Orchestra, Orchestra of The Age of Enlightenment), Matthew McDonald (Berlin Philharmonic Orchestra), Ciro Vigilante (Vienna Chamber Orchestra), Robert Nairn (Professor of Double Bass Juilliard School and Penn State University), Kees Boersma (Principal, Sydney Symphony Orchestra), Tim Dunin (Professor of Double Bass, University of Music, Graz; formerly Vienna Philharmonic) and Alex Henery (Principal, Sydney Symphony Orchestra, formerly Philharmonia London).

A great lover of chamber music, Kees Boersma s a regular artist at Musica Viva’s Chamber Music Festivals and the Australian Festival of Chamber Music.

Kees was a founding member of the Australia’s pre-eminent contemporary music group ELISION, premiering, touring and recording the works of Franco Donatoni, Richard Barrett, Liza Lim and Brian Ferneyhough. . 

After studies at the Victorian College of the Arts, Kees travelled to his birthplace in the Netherlands to undertake post-graduate studies at the Sweelinck Conservatorium in Amsterdam. He consequently performed for several seasons with the Royal Concertgebouw Orchestra Amsterdam under conductors such as Haitink, Dorati, Harnoncourt, Chailly and Giulini.

On his return to Australia, Kees performed as Principal Bass with the State Orchestra of Victoria and the Australian Chamber Orchestra before joining the Sydney Symphony Orchestra.

Kees is a Lecturer of Double Bass at the Sydney Conservatorium of Music and enjoys being a regular tutor with the Australian Youth Orchestra and Sydney Youth Orchestra.

He is a regular Guest Principal Bass of the Hong Kong Philharmonic Orchestra, the West Australian Symphony Orchestra and the New Zealand Symphony Orchestra.

As a result of his enthusiasm to explore historically informed performance practice, Kees has enjoyed recent opportunities to play with the Orchestra of the Age of Enlightenment (London), the Australian Brandenburg Orchestra and Pinchgut Opera.

In collaboration with his vivacious life partner Kirsty McCahon, his ‘Bass Extravaganza’ concerts as part of the ‘Resonate’ series at the National Art Gallery of NSW explore new ways of presenting music for their beloved basses!

Last updated 2018

Michael Brooks-Reid

Australian Hometown: Melbourne
Education: University of Melbourne

PROFESSIONAL BIOGRAPHY
Australian violinist Michael Brooks Reid is sought after as concertmaster and principal by leading orchestras across Europe and Australia. Currently based in Berlin, Michael makes regular guest appearances with the Mahler Chamber Orchestra, Scottish Chamber Orchestra, German Radio Philharmonic, Aurora Orchestra, Camerata Bern, Kammerakademie Potsdam and Melbourne Chamber Orchestra.

Michael has also performed with the Australian Chamber Orchestra, Orchestra Mozart and the Lucerne Festival Orchestra, and has worked with esteemed conductors such as the late greats Pierre Boulez and Claudio Abbado.
As a chamber musician, Michael spent several years as a member of the
Hamer Quartet. During this time the ensemble competed in the inaugural Asia-Pacific Chamber Music Competition, winning all available first prizes; the Quartet, Overall and Audience prizes. The quartet was subsequently named on ‘The Age’ newspaper’s ‘The 100 Most Influential People in Australia’ list.
Since leaving the quartet, Michael has continued to pursue his passion for chamber music, performing in several international music festivals, including most recently with Oboist Albrecht Mayer at the ‘Hitzacker Musikwoche’ in Germany, at the newly founded Avigdor Classics in Switzerland, and at the ‘Joy of Music’ festival in Hong Kong.


As soloist, Michael has toured with the Melbourne Chamber Orchestra, performing and directing The Four Seasons of Vivaldi and Piazzolla to critical acclaim, and recently performed Brahms’ violin concerto as a part of the Melbourne Youth Orchestra’s 50th birthday celebrations at the Melbourne Recital Centre.
Conducting is another interest of Michael’s, and he has undertaken study with Christopher Seaman, Sebastian Lang-Lessing and the late John Hopkins OBE, and has conducted the Adelaide and Tasmanian Symphony Orchestras.
From 2004-2008 Michael was Leader and Artistic director of the Australian Classical Players, combining his love for conducting and violin playing; programming and directing the concert season from the 1st violins.


More recently, he has been part of a team of professional mentors directing the ‘Aldeburgh Strings’, a chamber orchestra made up of the most outstanding students from the Britten-Pears Festival in the UK.
Michael plays a violin by Nicolo Gagliano, made in Naples in 1751.
When taking a break from music, Michael enjoys traveling, good food with good wine and a game of poker!

Last updated 2018

Francesco (Frank) Celata

Australian Hometown(s): Melbourne & Sydney
Education: Sydney Conservatorium of Music; Victorian College of the Arts

PROFESSIONAL BIOGRAPHY
Mr Frank Celata is Associate Principal Clarinet with the Sydney Symphony Orchestra and an AWO Board Member. Mr Celata graduated from the Victorian College of the Arts 1987, prior to that he studied, and is now a lecturer, at the Sydney Conservatorium of Music.

He is a founding member of the chamber ensemble the Sydney Soloists and is a member of the New Sydney Wind Quintet. In 2013 he accepted the position of Lecturer in Orchestral and Chamber Music at the Conservatorium of Music in Hobart.

On several occasions between 2003 and 2009 he appeared with the London Symphony Orchestra as guest Principal Clarinet, performing on international tours and recordings. More recently he appeared as guest Principal Clarinet with the Philharmonia Orchestra of London touring internationally and recording with them. Frank plays Principal Clarinet with the Australian World Orchestra, comprising 110 of Australia’s leading musicians drawn from 47 orchestras around the world.

Last updated 2018